Prince Of Darkness –
One of Carpenter's and horror's most underrated film of all time.
“Let's
talk about our beliefs and what we can learn about them. We believe
nature is solid and time is consent. Matter has substance, time a
direction. There is truth in the flesh, in the solid ground. The wind
may be invisible but it's real. Smoke, fire, water, light...their
different not as stone or steel but tangible and we assume time is
narrow because it is as a clock. One second is one second for
everyone. Cause proceeds effect. Fruit rots, water runs down stream.
We're born, we age...we die. The reverse never happens! None of this
is true. Say goodbye to classical reality, because our logic
collapses onto the subatomic level. Ghosts have many shadows...”
PLOT
- A sinister secret has been kept in the basement of an
abandoned Los Angeles church for many years. With the death of a
priest belonging to a mysterious sect, another priest opens the door
to the basement and discovers a vat containing a green liquid. The
priest contacts a group of physics graduate students to investigate
it. Unfortunately, they discover that the liquid contains the essence
of Satan himself, and they also discover that he will release HIS
father - an all-powerful Anti-God! The liquid later comes to life
itself, turning some of the students into zombies as the Devil comes
forward to release his father. Will these students be able to stop
him?
LOWDOWN – I'm
a huge fan of the saying “Don't get mad...get even.” For John
Carpenter, Prince Of Darkness was
his response and anger towards the utter disappointment at the box
office failure that happened with Big Trouble In Little
China. Making his second
installment in his Apocalypse Trilogy (The first film being The
Thing, and the last film
being In The Mouth Of Madness.)
Carpenter decided to go back to his roots and make the film
independently and on a much lower budget using Alive Films. Wanting
to do things his way and without any big studio pull, Carpenter went
back to a style that worked for him.
In
ending result in my eyes is one of Carpenter's best and most
powerfully made films he's ever made.
Prince Of Darkness
is a film I clearly remember watching on the Sci-Fi channel (long
before it became the SyFy channel.) Back in the good old days, late
on weekend nights they would air old school horror movies from the
70's and 80's. Prince Of Darkness
was one of the movies that were always airing on a loop. Of course
it's weird dreamlike storyline caught my eyes along with the
breathtaking score that yet again Carpenter wrote and composed.
What
I love about this movie is that it's stylized but in a good way. Just
by watching it you know it's a Carpenter movie. Just in the opening
credits it sets up the storyline, cutting back and forth and creating
a very unsettling atmosphere. This movie is best described as being
completely beautiful. I mean it's seriously breathtaking. This score
is by far one of my favorites and almost every piece of dialog seems
to just pop right out at you.
I
love that Carpenter reused Donald Pleasence (even calling his
character Father Loomis.) and Big Trouble In Little
China actors Victor Wong
and Dennis Dun. This movie supports a very strong cast and I really
did like the love story that lingered between Jameson Parker and Lisa
Bount. This didn't seem forced at all, and it was refreshing to see
two older character in a horror movie share a romance. In fact I love
the scene where the two of them are talking on campus and Jameson
delivers the line “You talk numbers you get romantic...we talk
people, well you just clam up.” Bount was simply stunning in this
movie and the final sacrifice she makes still gives me chills at the
end of the movie. Yeah for a while I always felt these roles could
have been played by younger or stronger actors, but in time I
developed a love for them and understand exactly why Carpenter made
the choices he did. Bount also starred in Radioactive
Dreams, one of my favorite
guilty pleasure movies. Sadly Bount passed away a few years ago which
adds to the certain sadness and beauty that surrounds this film.
The
rest of the cast do a wonderful job in supporting roles even though
the Dennis Dun character gets on my nerves from time to time. In fact
I've always had a good laugh over Ken Wright's character. A very
attractive man who is seriously in almost every scene in the
background and doesn't say more than a couple of lines. He even
almost makes it to the very end of the movie. Clever in a
disappointing sort of way.
The
empty church building was a perfect settling and I loved how the evil
spirit pretty much spits inside your mouth to make you one of it's
servants. One of my favorite scenes is where the character named Lisa
is typing after becoming taken over and how the guy strolls in
laughing and calling her name only to see her in a strange trance
type over and over again “I live! I live! I live!”. Beyond
creepy. Or the guy speaking in that super creepy almost robot voice
in the parking-lot with all the beetles and bugs eating him alive.
Terrifying.
Speaking
about terrifying how about Alice Cooper playing an extra as one of
the many creepy homeless people standing outside the church in a
strange trance? Yeah...
These
elements along with the inter-cutting scenes of the shared dreams
always get me. I love how it looks like it was shot on video tape
with the hazy image standing in the doorway and how at the very end
it reveals who it was standing there. The line repeating over and
over again “This is not a dream, this is not a recording...”
Perfect.
This
is a movie that once it gets going never seems to want to get go. The
big black guy laughing and singing Amazing Grace always gets me, or
the transformation the poor blond girl begins to have as her skin
starts to rot and crack. I love how isolated the characters were,
slowly being picked on and having to hold up in the building knowing
what was waiting for them. I mean we even get a crucified pigeon!
This was an extremely well written movie. It's not only intelligence,
but well crafted for what it is. There are a million movies of the
anti-Christ coming to Earth, but this by far is the best. Like I
said, every scene, and every line is just breath taking right up
until the very end.
Without
giving too much away, the whole way they filmed the mirror gateway
was beautiful. In fact Rue Mourner magazine did a great issue
covering the making of this movie and even went into great detail of
how they crafted that scene. Just the haunting shot of a certain
character trapped reaching towards the darkening closing light gets
me every time. I loved the tragic ending and of course the very
ending shot of the movie.
I
feel Carpenter's work has always reflected the times. I love how
after making this masterpiece he went on and made the very awesome
They Live.
Films
like this are rare, and Carpenter in the 1980's in my eyes could do
no wrong. This was his huge fuck-you to Hollywood, and trust
it...it's pretty amazing.
5
Stars!
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